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Our Passport to Imagination this summer

June 26, 2013 by Anne Weaver

passportAfter the relentless schedule of a school year, I find the unscheduled days of summer to be a much needed break.  (Liv’school starts at 7:45.  As in, 7:46 and she’s tardy.  Is that nuts or what??)  Do you remember running out of school that last day, feeling like you’re on the precipice of endless fun?  At 39 years old, that’s still how I feel about summer.

But of course, reality is that we don’t have fun, fun, fun everyday.  Without some intervention from mama, the little girl might spend her whole summer sitting in front of the TV or playing Minecraft.  That’s okay for a little while, but for the most part she needs to unplug and engage her mind and her hands in creative activity.

That’s why I was so thrilled to hear about Michaels Passport to Imagination craft classes this summer.  It’s a 7-week series of craft classes for kids, each week’s crafts inspired by a different continent.  The 2-hour classes are offered three days a week, and – get this – they cost only $2 a session.  Thank you, Michaels, for making summertime activities available at a price that fits into every family’s budget!!

The classes run from June 17th to July 31st so there’s still time to participate.  Just be sure to check with your Michaels location ahead of time to reserve a spot for your child.

Go to their web page to see the schedule of classses.  You can also get links to fun facts about each continent and projects sheets for crafts you can do at home.

Today, we’re heading down to Michaels for our first class.  The theme for this week is South Ameria.  Today’s in-class craft is a paper lizard.  The at-home craft is a feathery bird can hug, and the swap craft is a pipe cleaner soccer goal.  (Swap crafts are ones you can make at home and then bring to the next class to swap with other kids.)  Liv is super excited, and so is her mama!! 

DISCLOSURE:  Michaels has given me a gift card to pay for our Passport to Imagination classes as well as supplies for take-home crafts from the classes, so I can blog about our experience.  They gave no requirement for a favorable review.  My opinions are all entirely mine. 

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Comments

  1. Amber Dawn says

    June 27, 2013 at 4:31 pm

    The swap projects are actually made at the store and turned into pins to pin on the free bag (while supplies last). I am running the program at a local store and it’s a lot of fun projects ahead! ~*ENJOY!*~

Have you read?

Pricing Handmade Sewing Items Without Undervaluing Yourself

If there’s one topic that makes sewists uncomfortable faster than sewing zippers, it’s pricing. Not how to sew the item — but how much to charge for it once it’s finished.

Most people don’t struggle with making handmade items. They struggle with putting a price on their time, skill, and effort without feeling awkward, guilty, or worried they’ll scare buyers away.

If you’ve ever thought:
“I’m not good enough to charge that much,”
“People won’t pay handmade prices,”
or “I’ll just price it low until I get better,”

you’re not alone. But you’re also not doing yourself any favours.

Let’s talk about how to price handmade sewing items in a way that’s fair, realistic, and sustainable — without undervaluing yourself.

Why Undervaluing Your Sewing Hurts More Than You Think

Underpricing doesn’t just affect your income. It affects your motivation, your confidence, and how seriously buyers take your work.

When handmade items are priced too low:

  • You burn out faster

  • You resent the time spent making them

  • You struggle to restock

  • Buyers assume “cheap” equals “low quality”

Ironically, pricing too low can make selling harder, not easier.

Handmade sewing items aren’t competing with mass-produced factory goods. They’re competing with thoughtfulness, quality, and care — and those have value.

Start With the Real Cost (Not Just Fabric)

One of the biggest pricing mistakes beginners make is charging only for materials.

Fabric, thread, zips, interfacing, labels, packaging — these are your base costs. But they’re only the starting point.

You also need to account for:

  • Cutting time

  • Sewing time

  • Pressing and finishing

  • Packaging

  • Listing, photographing, or selling time

Even if you enjoy sewing, your time still counts.

A simple rule:
If someone else had to make this for you, what would you expect to pay them per hour?

The “Straight Line” Trap (And Why It’s Not a Problem)

Many sewists worry that because their items are “simple,” they don’t deserve higher prices.

Straight seams, basic construction, minimal shaping — these are often seen as beginner skills. But from a buyer’s perspective, simplicity is often a feature, not a flaw.

Simple items are:

  • Practical

  • Durable

  • Easy to use

  • Less intimidating

  • Often more giftable

A well-made tote bag, table runner, or pouch doesn’t lose value because it’s simple. It gains value because it works.

A Simple Pricing Formula That Actually Works

You don’t need complicated spreadsheets to price handmade sewing items.

A beginner-friendly formula looks like this:

Materials + (Hourly rate × Time) + Fees = Price

Your hourly rate doesn’t need to be high — but it does need to exist.

Even a modest rate acknowledges that your time matters.

And remember: pricing isn’t permanent. You’re allowed to adjust as you learn.

Why “Charging Less Until I’m Better” Backfires

This mindset feels sensible, but it causes long-term problems.

When you price low “for now,” you:

  • Attract bargain-focused buyers

  • Set expectations that are hard to raise later

  • Undermine your confidence

  • Train yourself to accept less

Your skill will improve through repetition, not through underpricing.

Selling handmade items is a skill too — and pricing fairly is part of learning it.

What Buyers Are Actually Paying For

Most buyers don’t analyse your stitching technique.

They’re paying for:

  • Convenience

  • Thoughtful design

  • Quality materials

  • Handmade care

  • Supporting a real person

They want something useful, well made, and ready to use — not a bargain-bin price.

When you price confidently, buyers feel more confident too.

Comparing Prices Without Panicking

It’s smart to look at what others charge — but don’t use comparison as a weapon against yourself.

Instead of asking:
“Why are they charging more than me?”

Ask:

  • Are they targeting the same customer?

  • Are they selling the same type of item?

  • Are their materials similar?

There is room for different price points. You don’t need to be the cheapest to be successful.

Pricing for Sustainability, Not Just Sales

Selling handmade items should feel rewarding, not exhausting.

If your prices don’t allow you to:

  • Replace materials

  • Restock without stress

  • Enjoy sewing

  • Take breaks

…they’re too low.

A sustainable price keeps you sewing longer — and consistency is what builds sales over time.

The Confidence Shift That Changes Everything

Instead of asking:
“Is this worth what I’m charging?”

Ask:
“Would I be proud to sell this?”

If the item is:

  • Well made

  • Useful

  • Finished with care

Then it deserves a fair price.

You don’t need permission to charge what your work is worth. You just need to believe that your time, effort, and creativity matter.

Because they do.

Book Review – Sewing to Sell – The Beginner’s Guide to Starting a Craft Business

Selling your handmade items? Here’s how to figure a fair price.

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